Look for two strings before the first ID occurence. You can find the original name using MuLab.Įdit: Actually you are required to change the name of the plugin in the binary, or else it won't load (at least for me). You can also change the plugin-name using the hex editor, if you want to differentiate between the original plug-in and the duplicate. Rescan the plugins in your DAW and you should be good! (I personally needed to trash the preference files of my DAW because the old ID persisted) "Replace All" with 4 letters at random, and save the file Search the string as text, but backwards (if, for example, your id is ZjQ4, look for 4QjZ) Open the binary with a hex editor (like HexFiend) Go to your Plugins folder, duplicate the plugin, rename it, and right-click and "Show Package Contents" find the ID of your plug-in, I used MuLab (load the plugin, right click and "Show info"). jBridge is a great solution for them to run on 64 bit systems without any issue. Reply Erisian (5 / 5) Elektrostudio have made some great stuff and I love the old Arps so to have this emu among my synths is awesome. Bitsonic applications run on 32 bit and 64bit music maker/composer programs, but maybe you need a solution to run a 32bit VST on your 64bit DAW. 32-bit VST plugins unless they are converted to 32-bit using an application such as JBridge. No side effects or latency, runs as smooth as it can. Audacity is ranked 15th while MuTools MuLab is ranked 19th. So if you want to duplicate your AU/VST (I only tested VST, but AU should work the same I suppose), follow this: Of course, I used JBridge for bridging it to 64bit witout any problem. All-in-all, this is a very good plug-in that easily competes with Lindell 80 channel and bx_console N! I like the layout more than the other two actually, the GUI is just a tad too big.Ok, the trick was to find the ID in reverse, as explained here: The limiter is really spanky and much fun! Unlike his other plug-ins, this one seems to have OS turned on by default and you cannot turn it off, but it seems rather efficient and the plug-in never exceeded 0.8% CPU usage in Reaper, so I can't complain. The compressor has that typical Neve fixed attack, which I rather set myself tbh (but it is an emulation, so I can't complain), the release seems a bit short compared to other Neve emulations, though, with 400ms on Channev being closer to 100ms on both Arturias DIODE-609 and IK's Precision Comp-Limiter (the 33609 are supposed to be based on the 2264A, but maybe the release really are that much different in the real-deal? ). The de-esser works well on drums, but haven't tested on vocals yet, and the EQ and Pre seems to do what they should. I must say that I'm very impressed with this plug-in! The tape saturation sounds very smooth and full, reminds me of Softube Saturation Knob.
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